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Green herons and joggers made way for contemporary art galleries, artists, collectors, and enthusiasts flocking to Randall’s Island Park last weekend for Frieze New York. Ruthie Abel investigates.
Multimedia and “multi-sensory” work by British artist and poet Heather Phillipson was interspersed throughout this year’s Frieze Art Fair. Pictured: topiary balls, dog food, and a portion of 14 fibreglass pointer dogs, part of her “100% Other Fibers”.
N. Dash’s layers of canvas and linen over adobe panels at Casey Kaplan. Her first solo show at the gallery on 27th Street is up through June 18th.
Multiple galleries exhibited Tomas Saraceno’s “Iridescent Clouds”. Colors of the iridescent Plexiglas panels change depending on the light.
Athena Hamilton’s adaptaion of Mario Bellini’s futuristic inhabitable car interacted with viewers throughout the fair. In the background, oversized copper rusted nails by Cuban collective Los Carpinteros.
Young aficionados delighted in Heather Phillipson’s animated dogs. Alex Katz’s work on top left.
“COME ON IN, WEVE BEEN EXPECTING YOU,” part of Heather Phillipson’s multi-part Frieze Project.
Yayoi Kusama’s “The Moment of Regeneration” at Victoria Miro.